Watch River Online Hollywoodreporter
Posted by admin- in Home -08/10/17Spike Lee directs 'Rodney King,' a filmed version of a one-man play by his frequent onscreen collaborator Roger Guenveur Smith. Mediagazer presents the day's must-read media news on a single page. A look at the top 10 songs of each summer on the Billboard Hot 100 since 1958.
To find blue hope just scratch the red surface-- Bettina Davis May 2002.
- The Hobbit is a film series consisting of three high fantasy adventure films directed by Peter Jackson. They are based on the 1937 novel The Hobbit by J. R. R.
- The first season of Pretty Little Liars, based on the books of the same name by Sara Shepard, premiered on June 8, 2010 and concluded on March 21, 2011 on ABC Family.
- The Hollywood Reporter is your source for breaking news about Hollywood and entertainment, including movies, TV, reviews and industry blogs.
- Ver television online desde nuestra web gratis. Mira Listas m3u y toda la programacion de series, capitulos, dibujos, canales y peliculas las 24 horas.
- 1 januari – Dale Bumpers, 90, amerikansk demokratisk politiker. [1] 1 januari – Brian Johns, 79, australisk affärsman, VD för ABC åren 1995–2000, cancer.
Summer Songs 1. 95. Top 1. 0 Tunes of Each Summer. Hot weather plus nostalgia makes for a potent mix(tape).
In order to aid your festive flashbacks, we analyzed the Billboard Hot 1. Memorial Day and Labor Day.
Demetria Devonne "Demi" Lovato (born August 20, 1992) is an American singer, songwriter, and actress.
Crank up these hits and feel the heat. PHOTOS: 6. Celebrity Beach Bodies. These hot tunes are ranked based on each track's performance on the Billboard Hot 1. For the period of 1. Nielsen Music radio monitoring and point- of- sales data, the rankings are based on an inverse point system, with weeks at No. No. 1. 00 earning the least.
For the years corresponding with Nielsen Music data, 1. Hot 1. 00 during those respective years. Nel Blu Dipinto Di Blu (Volaré)" – Domenico Modugno.
Poor Little Fool" – Ricky Nelson. Patricia" – Perez Prado And His Orchestra. Little Star” – The Elegants.
My True Love" – Jack Scott. Just A Dream” – Jimmy Clanton And His Rockets. When" – Kalin Twins.
Bird Dog" – The Everly Brothers. Splish Splash" – Bobby Darin. Rebel- ‘Rouser" – Duane Eddy His Twangy Guitar And The Rebels. Lonely Boy" – Paul Anka. The Battle Of New Orleans" – Johnny Horton. A Big Hunk O’ Love" – Elvis Presley With The Jordanaires.
My Heart Is An Open Book” – Carl Dobkins, Jr. The Three Bells" – The Browns. Personality” – Lloyd Price and His Orchestra. There Goes My Baby" – The Drifters.
Lavender- Blue" – Sammy Turner. Waterloo" – Stonewall Jackson. Tiger" – Fabian. 19. I'm Sorry" – Brenda Lee. It’s Now Or Never" – Elvis Presley With The Jordanaires.
Everybody’s Somebody’s Fool" – Connie Francis. Alley- Oop” – Hollywood Argyles.
Itsy Bitsy Teenie Weenie Yellow Polkadot Bikini" – Brian Hyland. Only The Lonely (Know How I Feel)” – Roy Orbison. Walk—Don’t Run" – The Ventures.
Cathy’s Clown" – The Everly Brothers. Mule Skinner Blues" – The Fendermen. Because They’re Young" – Duane Eddy And The Rebels. Tossin' And Turnin'" – Bobby Lewis. Quarter To Three" – U. S. Bonds. 3. "The Boll Weevil Song" – Brook Benton.
I Like It Like That, Part 1” – Chris Kenner. Michael" – The Highwaymen. Raindrops” – Dee Clark. Wooden Heart" – Joe Dowell.
Moody River" – Pat Boone. Dum Dum" – Brenda Lee. Last Night" – Mar- Keys.
Roses Are Red (My Love)" – Bobby Vinton. I Can’t Stop Loving You" – Ray Charles.
The Stripper" – David Rose And His Orchestra. Breaking Up Is Hard To Do” – Neil Sedaka. The Loco- Motion" – Little Eva. The Wah Watusi” – The Orlons. Sealed With A Kiss" – Brian Hyland. Palisades Park" – Freddy Cannon.
Sheila" – Tommy Roe. It Keeps Right On A- Hurtin’" – Johnny Tillotson. Fingertips – Pt. 2" – Little Stevie Wonder. Surf City" – Jan & Dean.
Easier Said Than Done" – The Essex. So Much In Love” – The Tymes. Sukiyaki" – Kyu Sakamoto. Wipe Out” – The Surfaris. Blowin’ In The Wind" – Peter, Paul & Mary. My Boyfriend’s Back" – The Angels. You’re The) Devil In Disguise" – Elvis Presley With The Jordanaires.
Candy Girl" – The 4 Seasons. Where Did Our Love Go" – The Supremes. I Get Around" – The Beach Boys. Everybody Loves Somebody" – Dean Martin. A Hard Day’s Night” – The Beatles. Rag Doll" – The 4 Seasons Featuring The “Sound Of Frankie Valli”6.
House Of The Rising Sun” – The Animals. Memphis" – Johnny Rivers. Under The Boardwalk" – The Drifters. The Little Old Lady (From Pasadena)" – Jan & Dean. Wishin’ And Hopin’" – Dusty Springfield.
I Can't Get No) Satisfaction" – The Rolling Stones. I Can’t Help Myself (Sugar Pie Honey Bunch)" – Four Tops. I Got You Babe" – Sonny & Cher.
Help!” – The Beatles. I’m Henry VIII, I Am" – Herman’s Hermits. Mr. Tambourine Man” – The Byrds. What’s New Pussycat?" – Tom Jones. Yes, I’m Ready" – Barbara Mason. Cara, Mia" – Jay & The Americans. Save Your Heart For Me" – Gary Lewis And The Playboys.
Wild Thing" – The Troggs. Summer In The City" – The Lovin’ Spoonful. Lil’ Red Riding Hood" – Sam The Sham And The Pharaohs.
Hanky Panky” – Tommy James And The Shondells. Paperback Writer" – The Beatles. Sunny” – Bobby Hebb. Strangers In The Night" – Frank Sinatra. Red Rubber Ball" – The Cyrkle. Sunshine Superman" – Donovan. See You In September" – The Happenings.
Light My Fire" – The Doors. Windy" – The Association. Can’t Take My Eyes Off You" – Frankie Valli.
Little Bit O’ Soul” – The Music Explosion. I Was Made To Love Her" – Stevie Wonder. Watch The Road Within Mojoboxoffice there. All You Need Is Love” – The Beatles. Ode To Billie Joe" – Bobbie Gentry.
A Whiter Shade Of Pale" – Procol Harum. San Francisco (Be Sure To Wear Flowers In Your Hair)" – Scott Mc. Kenzie. 10. "Baby I Love You" – Aretha Franklin. This Guy's In Love With You" – Herb Alpert. Hello, I Love You" – The Doors. People Got To Be Free" – The Rascals. Grazing In The Grass” – Hugh Masekela.
Stoned Soul Picnic – The 5th Dimension. The Horse” – Cliff Nobles & Co. Lady Willpower" – Gary Puckett And The Union Gap.
Jumpin’ Jack Flash" – The Rolling Stones. Classical Gas" – Mason Williams. Born To Be Wild" – Steppenwolf. In The Year 2. 52. Zager & Evans.
Honky Tonk Women" – The Rolling Stones. Crystal Blue Persuasion" – Tommy James And The Shondells. Love Theme From Romeo & Juliet” – Henry Mancini And His Orchestra. Spinning Wheel" – Blood, Sweat & Tears. One” – Three Dog Night. Good Morning Starshine" – Oliver. What Does It Take (To Win Your Love)" – Jr.
Walker & The All Stars. Sweet Caroline (Good Times Never Seemed So Good)" – Neil Diamond.
A Boy Named Sue" – Johnny Cash. They Long To Be) Close To You" – Carpenters.
Mama Told Me (Not To Come)" – Three Dog Night. Make It With You" – Bread. The Love You Save/I Found That Girl” – Jackson 5.
War" – Edwin Starr. Ball Of Confusion (That’s What The World Is Today)” – The Temptations. Band Of Gold" – Freda Payne. Spill The Wine" – Eric Burdon And War. Signed, Sealed, Delivered I’m Yours" – Stevie Wonder. In The Summertime" – Mungo Jerry.
How Can You Mend A Broken Heart" – Bee Gees. It’s Too Late/I Feel The Earth Move" – Carole King.
Indian Reservation (The Lament Of The Cherokee Reservation Indian)" – The Raiders. You’ve Got A Friend” – James Taylor. Mr. Big Stuff" – Jean Knight. Take Me Home, Country Roads” – John Denver. Don’t Pull Your Love" – Hamilton, Joe Frank & Reynolds. Draggin’ The Line" – Tommy James.
Treat Her Like A Lady" – Cornelius Brothers & Sister Rose. Signs" – Five Man Electrical Band. Alone Again (Naturally)" – Gilbert O’Sullivan. Brandy (You’re A Fine Girl)" – Looking Glass. Lean On Me" – Bill Withers.
If Loving You Is Wrong) I Don’t Want To Be Right” – Luther Ingram. Too Late To Turn Back Now" – Cornelius Brothers & Sister Rose. Long Cool Woman (In A Black Dress)” – The Hollies. Daddy Don’t You Walk So Fast" – Wayne Newton. I’m Still In Love With You" – Al Green. Song Sung Blue" – Neil Diamond.
Rodney King’ Review Hollywood Reporter. Deeply moved by the June 2. Rodney Glen King’s drowning at age 4. Roger Guenveur Smith got busy researching the famous Angeleno’s life and death. Within weeks he’d written and mounted a one- man play that he’s since performed many times, in many venues. Now a riveting filmed version, directed by Spike Lee and streaming on Netflix, joins the documentaries that have hit the small screen in recent days, all of them commemorating and exploring the 2. Los Angeles uprising that was sparked by the verdict in King’s suit against the LAPD.
Smith’s interpretive angle on those days of violence and their aftermath, focused on King himself, is by definition narrower than the perspective of those journalistic films. But like the other filmmakers, Lee and Smith shine a damning, sorrowful light on American racism, through the shattered prism of spring 1. Los Angeles. With its dazzling wordplay and densely layered profusion of history and biography, Rodney King is an experience as cerebral as it is visceral. Smith’s powerfully crafted performance does nothing less than restore the humanity to a man who has, over a quarter- century, been reduced to a talking point and a symbol.
Under the unfussy helm of Lee and director of photography Daniel Patterson, with strong contributions from editor Randy Wilkins, the film comprises a potent single- take, 1. Smith’s play. On a summer night at Lower Manhattan’s East River Park, Smith begins, barefoot on an unadorned stage, in a rectangle of cool white light representing the backyard pool where King died (the film opens with audio of the heartrending 9. It isn’t long before Smith is visibly sweating in the New York heat. Smith takes none of the conventional wisdom or mainstream reporting about King at face value, and he kick- starts the drama with a burst of anger — the first words he utters are “f— you,” quoting rap lyrics by rapper Willie D that label King a sellout. Eventually he’ll share some of the online vitriol against King from people, black as well as white, who refuse to see King as anything more than a criminal, or a fool.
Channeling various nameless characters, Smith delivers an intense rush of info and emotion, shifting gears and slowing down only after eight minutes, with the clanging wallop of the metal baton strikes that left King permanently damaged. He rescues from the dust pile of amnesia a number of details that have been lost in repeated tellings of the story, some of them harrowing, like the metal plate implanted behind King’s pulverized right eye socket so that the eye wouldn’t “slip back into your brain.”To say that Smith wrote the play isn’t quite accurate; remarkably, he developed most of it through improvisation. Only the bookending sections were written in advance, mainly because they're other people's work: the words of the aforementioned Willie D and of King himself, in the statement he made to the press during the riots, oft- misquoted in watered- down sound- bite form. Some of the other new documentaries about the riots have included the “can we get along” speech in its revelatory entirety; with his actor’s artistry, Smith deepens the impact in his aching rendition. On top of its L. A.- specific poetry — a pounding litany of freeway exits; observations of burning bougainvillea and jacaranda — Smith astutely weaves in pop- culture references, among them the jarring reminder that the final episode of the much- celebrated Cosby Show aired during the riots. Some political leaders pointed to the sitcom as a potentially unifying balm. Smith, on the other hand, searingly points to the Cliff Huxtable/Mister Rogers sweater- and- tie getup in which King was costumed by his attorneys for his appearance before the cameras, pleading for peace.
And in his agonizing reminders of the forgotten victims and good Samaritans of the riots, Smith makes painfully clear the immense responsibility weighing on King, a construction worker from L. A.’s northern suburbs (not South Central). He traces the sorry path from punching bag to emblem to punchline, a course that left no room for complexity. Having cast Smith in eight of his narrative features, and after filming his Obie- winning play A Huey P. Newton Story in 2. Lee is fully in sync with the performance and its up- to- the- minute resonance, showcasing it to profound effect.
With the film’s final image, the director emphasizes how unsettled and raw the material’s questions remain. At a recent Hammer Museum screening, part of the Los Angeles cultural institution’s three- night series examining the 1. Smith said he’s taken to describing the play as “not so much a performance as a prayer.” As preserved for the screen, it’s a stirring communion with an improbable historical figure, a man who was born four months before the 1. Watts riots. Production companies: Luna Ray Media, Buffalo 8, 4. Acres and a Mule Filmworks. Distributor: Netflix. Cast: Roger Guenveur Smith.
Director: Spike Lee. Screenwriter: Roger Guenveur Smith. Producers: Steven Adams, Bob L. Johnson, Spike Lee, Roger Guenveur Smith. Executive producers: , Ian Bricke, Matthew Helderman, Luke Taylor. Director of photography: Daniel Patterson. Editor: Randy Wilkins.
Composer: Marc Anthony Thompson.