Inception is a 2010 science fiction film written, co-produced, and directed by Christopher Nolan, and co-produced by Emma Thomas. The film stars Leonardo DiCaprio as.

The three intruders were wearing all black clothing, masks and gloves, a Sheriff's Office spokesman said. They broke into the house through a glass door in the back. · The idea is to enable the border guarding forces to monitor the movement of Pakistani and Chinese troops in real time, track terrorist infiltration, map. For the movie version of this character, see Kimberly Ann Hart (1995 movie). For the 2017 version of this character, see Kimberly (2017 movie). For the Boom Studios. The James and Younger outlaw gangs ride into town, and it is up to the local marshal, who has lost both his nerve and his gun skills, to stop them. A new clip from Texas Chainsaw Massacre prequel Leatherface features Lili Taylor as Verna Sawyer, and Stephen Dorff as a vengeful Texas Ranger. Created by Glen Morgan. With James Frain, Millie Bobby Brown, Tory Kittles, Mira Sorvino. A secret society is devoted to chasing immortality by seeking refuge in the. Download free full unlimited movies! There are millions of movies, videos and TV shows you can download direct to your PC. From Action, Horror, Adventure, Children.

Grain' Review Hollywood Reporter. Seven years after completing his “Yusuf trilogy” with Bal (Honey), which won the Golden Bear in Berlin among many other prizes, Turkish writer- director Semih Kaplanoglu returns with his most ambitious feature yet. Ravishingly shot in high- definition monochrome, Grain (Bugday)is a philosophical sci- fi fable shot on three continents, featuring an international cast and English- language dialogue. It premiered at Sarajevo Film Festival earlier this month. Grain is partly an allegorical treatment of 2. Koran that have special significance for the mystical Sufi branch of Islam.

But Kaplanoglu also pays overt visual and thematic homage here to Russian maestro Andrei Tarkovsky’s dystopian sci- fi classic, Stalker. These cineaste touches and the director’s solid track record should snag further festival outings and possible niche distribution. That said, this Turkey- Germany- France- Sweden- Qatar co- production is hobbled by its ponderous pace and pretentious tone, not to mention painfully flat dialogue voiced by actors who are clearly strangers to English. In a vaguely defined near- future Earth, synthetic food crops are dying out, vast stretches of land are contaminated and armies of refugees huddle outside the lethal electromagnetic zapping towers that protect the last enclaves of civilization from unwanted intruders. Inside the perimeter, Professor Erol Erin (an elegantly weathered- looking Jean- Marc Barr) puzzles over how to save mankind from apocalyptic harvest failure.

In a meeting with his corporate bosses, he learns of Cemil Akman (Bosnian actor Ermin Bravo), a rogue scientist whose controversial theory of “genetic chaos” may hold the key. But Akman has disappeared, reportedly fleeing to the barren badlands far beyond the city limits. After turning up a few cryptic clues, Erin embarks on a quest to find Akman, enlisting fellow outlaws Andrei (Grigory Dobrygin) and Alice (Cristina Flutur) to help him escape the city’s deadly border defenses. The majestic landscape that he finds beyond, shot in the Turkish interior of Anatolia, is beautiful but full of danger. Cinematographer Giles Nuttgens finds so many striking tableaux here that could hang as stand- alone artworks in a gallery: poetically parched river valleys, burned- out buses, a lake bobbing with dead bodies.

Erin eventually finds Akman, but the elusive scientist initially proves dismissive and secretive. At this point Grain shifts gear from urban to rural, from science to philosophy, from engrossing suspense thriller to plodding spiritual parable.

Akman is overly fond of Yoda- ish platitudes like “the entire universe is human” and “we are always in a dream, we will wake up when we die.” After 2. New Age hokum, most of us would likely want to rip his smug holy- man beard off. But Erin embraces his new role as lowly student, nodding humbly as Akman leads him to a remote fortress of solitude where they can chew over some really deep stuff about the universe, man. In its final stages, Kaplanoglu’s magical mystery tour becomes a collection of ruminations on guilt and ego, illustrated by runic hieroglyphs and dreamlike visions.

The images are rarely less than sublime but the drowsy pacing, portentous dialogue and opaque symbolism blunt any emotional impact. Of course, Tarkovsky was guilty of much long- winded mysticism himself, but he was arguably a genius and certainly made films for a more patient, less knowing, less media- saturated age. As a commendably ambitious, visually stunning piece of cinematic art, Grain is worth taking seriously. Just not as seriously as it takes itself.

Production company: Kaplan Film Production. Cast: Jean- Marc Barr, Ermin Bravo, Grigoriy Dobrygin, Cristina Flutur. Director: Semih Kaplanoglu. Cinematographer: Giles Nuttgens. Editors: Semih Kaplanoglu, Osman Bayraktaroglu, Ayhan Ergursel.

Producers: Semih Kaplanoglu, Nadir Operli. Production designer: Naz Erayda. Music: Mustafa Biber. Venue: Sarajevo Film Festival. Sales company: The Match Factory.

King Kong - Wikipedia. King Kong is a giant movie monster, resembling a gigantic ape, that has appeared in various media since 1. The character first appeared in the 1. King Kong from RKO Pictures, which received universal acclaim upon its initial release and re- releases. A sequel quickly followed that same year with The Son of Kong, featuring Little Kong. In the 1. 96. 0s, Toho produced King Kong vs.

Godzilla (1. 96. 2), pitting a much larger Kong against Toho's own Godzilla, and King Kong Escapes (1. The King Kong Show (1. Rankin/Bass Productions. In 1. 97. 6, Dino De Laurentiis produced a modern remake of the original film directed by John Guillermin. A sequel, King Kong Lives, followed a decade later featuring a Lady Kong. Another remake of the original, this time set in 1.

Peter Jackson. The most recent film, Kong: Skull Island (2. Legendary Entertainment's Monster. Verse, which began with Legendary's reboot of Godzilla in 2. A crossover sequel, Godzilla vs.

Kong, once again pitting the characters against one another, is currently planned for 2. The character of King Kong has become one of the world's most famous movie icons, having inspired countless sequels, remakes, spin- offs, imitators, parodies, cartoons, books, comics, video games, theme park rides, and a stage play.[4] His role in the different narratives varies, ranging from a rampaging monster to a tragic antihero. Overview[edit]. King Kong graphics at Empire State Building. The King Kong character was conceived and created by American filmmaker Merian C. Cooper. In the original film, the character's name is Kong, a name given to him by the inhabitants of "Skull Island" in the Indian Ocean, where Kong lives along with other oversized animals such as a plesiosaur, pterosaurs and other dinosaurs. An American film crew, led by Carl Denham, captures Kong and takes him to New York City to be exhibited as the "Eighth Wonder of the World".

Kong escapes and climbs the Empire State Building, only to fall from the skyscraper after being attacked by airplanes with guns. Denham comments, "It was beauty killed the beast," for he climbs the building in the first place only in an attempt to protect Ann Darrow, an actress originally offered up to Kong on Skull Island as a sacrifice. In the 1. 97. 6 remake, her character is named Dwan.)A documentary about Skull Island that appears on the DVD for the 2.

Sci- Fi Channel at the time of its theatrical release) gives Kong's scientific name as Megaprimatus kong and states that his species may be related to Gigantopithecus, though that genus of giant ape is more closely related to orangutans than to gorillas. Conception and creation[edit]. Merian C. Cooper glances up at his creation. Merian C. Cooper became fascinated by gorillas at the age of 6. In 1. 89. 9, he was given a book from his uncle called Explorations and Adventures in Equatorial Africa. The book (written in 1. Paul Du Chaillu in Africa and his various encounters with the natives and wildlife there.

Cooper became fascinated with the stories involving the gorilla, in particular, Du Chaillu's depiction of a particular gorilla known for its "extraordinary size", that the natives described as "invincible" and the "King of the African Forest". When Du Chaillu and some natives encountered a gorilla later in the book he described it as a "hellish dream creature" that was "half man, half beast" It was these stories that planted the seed of adventure in young Merian's mind.

Decades later in his adult years, Cooper became involved in the motion picture industry. While filming The Four Feathers in Africa, he came into contact with a family of baboons.

This gave him the idea to make a picture about primates. A year later when he got to RKO, Cooper wanted to film a "terror gorilla picture".

As the story was being fleshed out, Cooper decided to make his gorilla giant sized. Cooper stated that the idea of Kong fighting warplanes on top of a building came from him seeing a plane flying over the New York Insurance Building, then the tallest building in the world. He came up with the ending before the rest of the story as he stated, "Without any conscious effort of thought I immediately saw in my mind's eye a giant gorilla on top of the building". Cooper also was influenced by Douglas Burden's accounts of the Komodo Dragon, and wanted to pit his terror gorilla against Dinosaur sized versions of these reptiles stating to Burden, "I also had firmly in mind to giantize both the gorilla and your dragons to make them really huge. However I always believed in personalizing and focusing attention on one main character and from the very beginning I intended to make it the gigantic gorilla, no matter what else I surrounded him with".

Around this time, Cooper began to refer to his project as a "Giant terror gorilla picture" featuring "A gigantic semi- humanoid gorilla pitted against modern civilization. Once the film got green- lit and it came time to design King Kong, Cooper wanted him to be a nightmarish gorilla monster as he described him in a 1. His hands and feet have the size and strength of steam shovels; his girth is that of a steam boiler. This is a monster with the strength of a hundred men. But more terrifying is the head- a nightmare head with bloodshot eyes and jagged teeth set under a thick mat of hair, a face half- beast half- human".

Willis O'Brien created an oil painting depicting the giant gorilla menacing a jungle heroine and hunter for Cooper.[1. However, when it came time for O'Brien and Marcel Delgado to sculpt the animation model, Cooper decided to back pedal on the half human look for the creature and became adamant that Kong be a gorilla. O'Brien on the other hand, wanted him to be almost human- like to gain audience empathy, and told Delgado to "make that ape almost human". Cooper laughed at the end result saying that it looked like a cross between a monkey and a man with very long hair. For the second model, O'Brien again asked Delgado to add human features but to tone it down somewhat. The end result (which was rejected) was described as looking like a missing link.

Disappointed Cooper stated, "I want Kong to be the fiercest, most brutal, monstrous damned thing that has ever been seen!" On December 2. Cooper got the dimensions of a bull gorilla from the American Museum of Natural History telling O'Brien, "Now that's what I want!" When the final model was created (one that Cooper ultimately approved of), it had the basic overall look of a gorilla but managed to retain some humanesque qualities, such as a streamlined body and a removed paunch and rump, distinctive aspects of the gorilla's anatomy that Delgado purposefully removed.

O'Brien would incorporate some characteristics and nuances of an earlier creature he had created in 1. The Dinosaur and the Missing Link into the general look and personality of Kong, even going as far as to refer to the creature as "Kong's ancestor"[2. When it came time to film, Cooper agreed that Kong should walk upright at times (mostly in the New York sequences) in order to appear more intimidating.

Origin of the name[edit]Merian C. Cooper was very fond of strong hard sounding words that started with the letter "K". Some of his favorite words were Komodo, Kodiak and Kodak. When Cooper was envisioning his giant terror gorilla idea, he wanted to capture a real gorilla from the Congo and have it fight a real Komodo dragon on Komodo Island.

This scenario would eventually evolve into Kong's battle with the tyrannosaur on Skull Island when the film was produced a few years later at RKO.) Cooper's friend Douglas Burden's trip to the island of Komodo and his encounter with the Komodo dragons there was a big influence on the Kong story. Cooper was fascinated by Burden's adventures as chronicled in his book Dragon Lizards of Komodo where he referred to the animal as the "King of Komodo". It was this phrase along with Komodo and C(K)ongo (and his overall love for hard sounding K words) that gave him the idea to name the giant ape Kong.